Tag Archives: Asger Jorn

Situationist Pinball

This device allows for the automatic generation of a Gaussian curve (position of the balls at the bottom. The artistic problems of the dérive occur at the same level as the relatively unpredictable path of each ball. Illustration and caption from Asger Jorn, “The Situationists and Automation”, Internationale Situationniste #1 (June 1958).

SICV in Barcelona

Tras poner en marcha mi Instituto Escandinavo de Vandalismo Comparado, muchos se preguntan por qué le puse un nombre tan peculiar, sin llegar a tener del todo claro si tomárselo en serio o no. “Giving the Finger (Back) to the Digital: The Art and Politics of Archival Practice”. Presentation at the MACBA symposium La condició de […]

Every annotation is an act of vandalism

Asger Jorn reading Sartre’s L’Imaginaire. Questioning Sartre’s floating use of the term intentionality regarding the photograph. The fragment describes ambiguously the photograph or its content (the characters it depicts) as an object without particular intentionality. Jorn sees intentionality potentially elsewhere: “Intentionality on whose part, the artist?”

Situological

Very interested in the situological and situographical development of topology. It will be necessary to stay rapidly informed of all the scientific conclusions about this — and to adapt or détourn them. The primary force of our position is to intervene therein as an artistic activity (with a game of gestures raised to the dignity of […]

Scandinavia is a joke

Ellef Prestsæter: Did you feel that you were collecting evidence for a specific archaeological argument? Jacqueline de Jong: Yes, sure! It was the argument that there had been people, like the Visigoths, travelling all over the globe. Jorn wanted to show that the images are the same in Italy, Spain, Portugal, wherever you go.

Agatha Christie smoking Asger Jorn’s cigar

Ellef Prestsæter: Readers of Concreta, beware! … Engaging with you, Asger, in the context of this special issue on Vandalism and Iconoclasm calls for a strict demarcation between vandalism on the one hand and iconoclasm on the other. While the Scandinavian Institute of Comparative Vandalism (SICV) connects you intimately with the concept of vandalism you […]