Tag Archives: memory
Franco Moretti presents collaborative project (with Leonardo Impett) on computational approaches to Aby Warburg’s image atlas. Formulating pathos, faces are irrelevant. Clarity is not option, it’s a constraint. A strange encounter of qualitative and quantitative …
In this experiment [Hochberg & Brooks, 1962], a human baby was raised until the age of 19 months under the constant supervision of his parents who avoided exposing the child to line-drawings or two-dimensional pictures of any kind. Although the baby accidentally had opportunities to glance at some pictures on a few occasions, at no […]
Portrait heads of the emperor Octavius Augustus. “The Joslyn portrait displays clear indications that it was recut from another person’s likeness, limiting the sculptor by dissimilarities to Augustus’ features in the original subject. Recut portraits in general exhibit asymmetries, undercutting, and unnatural planar features where a chisel or other implement has been used to remove […]
“The morning of November 16, 1880, Wilhelm Friedrich Kühne (1837–1900), a professor of physiology at the University of Heidelberg, dissected the head of an executed murderer in his dark room within minutes of the man’s death. Kühne worked around the contracting muscles in the left eye socket to remove the eye and develop an image […]
The Major Bochmann was head of the passport division on the Eastern side of Checkpoint Charlie […]. He developed a facial recognition system, designed to teach the border guards to scrutinize faces and look for features that cannot be altered. The aim was to assess the authenticity of passport photos for those who were trying […]
Although every “acquired species” comes through imagination, Bonaventure creates another category of species, called innate species, that are imprinted directly on the memory. Bonaventure writes, “Memory has to be informed not only from the outside by phantasms but also from the above, by receiving and having in itself simple forms that cannot enter through the […]
“The term archive has been the dominant metaphor for all kinds of memory.” Listen online An interview made by SON[I]A.
The edits of the declassifiers do not merely hide some content to preserve secrecy or privacy. They also underline the repetitive nature of the requests and controls that are taking place in the administration. The words that are “redacted” become like variables in a template.