Working notes from the Scandinavian Institute for Computational Vandalism

Tag Archives: multiplicity

Operationalizing Aby Warburg’s Atlas of images

Franco Moretti presents collaborative project (with Leonardo Impett) on computational approaches to Aby Warburg’s image atlas. Formulating pathos, faces are irrelevant. Clarity is not option, it’s a constraint. A strange encounter of qualitative and quantitative …

Containment

The minimal message of a photograph may be less simple than we first thought. Instead of it being: I have decided that seeing this is worth recording , we may now decode it as: The degree to which I believe this is worth looking at can be judged by all that I am willingly not […]

Francis Galton’s Composite Portraiture meets Wittgenstein’s camera

Galton also devised a technique called “composite portraiture” (produced by superimposing multiple photographic portraits of individuals’ faces registered on their eyes) to create an average face. In the 1990s, a hundred years after his discovery, much psychological research has examined the attractiveness of these faces, an aspect that Galton had remarked on in his original […]

Scanscape

A scan is not a photograph. The scanner head is like a comb of light-emitting fingers that slowly strokes its subject in order to see it. The final image denies this temporality in its conventional single and simultaneous presentation. This probe attempts to reintroduce the temporality of the scanner. Continue reading…

Image gradients

imagegradient Image gradients are a fundamental transformation used in image processing, search indexing, and computer vision. Like a weather map showing the direction and strength of the wind, an image gradient depicts the strength and direction of changes in intensity over the surface of the image.